“If You Want to Make God Laugh,” Read Him This Book

If You Want to Make God Laugh by Bianca Marais

If You Want to Make God Laugh (Putnam Books) is a masterfully written emotional journey of three South African women where everyone is either running to or from something as they try to find peace and understand their calling.  It is a testament to the incredible strength women have and to what lengths mothers will go to protect and care for their children. The wonderful novel is coming out this summer from Bianca Marais following her debut, Hum If You Don’t Know the Words. Chapters alternate points of view. Zodwa is young girl, raped, pregnant, living in a squatter camp and ashamed of her romantic feelings of infatuation with her close girl friend.  When her baby is born, she is taken from her and later the same day her mother dies, leaving her alone, desperate and feeling lost. Delilah was raped when she was a teenager and forced to leave her child at the convent from which she was excommunicated due to her pregnancy.  She spent her years repenting while working at an orphanage, alone and lost. After a career of stripping and feeling unhappy in her relationship, Delilah’s older sister, Ruth left her husband feeling sad and regretful for never being able to have a child. Ruth and Delilah haven’t spoken to each other since they were young. The estranged sisters meet at their parents’ empty house, Ruth intending to sell it and Delilah hoping to live there. Tension runs high between the siblings, but after a newborn black baby is left on the doorstop, Ruth realizes her calling is to adopt this child and give him the life he deserves. Delilah is not in agreement, and so much pain rises to the surface due to the past.  As the sisters work to break down walls and understand each other’s emotions, they are faced with prejudice and harassment from the neighbors.  The sisters decide to secure the house and hire a live-in maid to help with the baby. BookTrib dives further into If You Want to Make God Laugh with Bianca Marais. It comes clear while reading the novel that for your characters, having ideas and making plans for the future, have minimal impact on how things turn out.  Do you believe in fate?  How much control do you think we have of our future? I think we have a lot of control over our lives in that the decisions we make today will influence the way things play out for us down the line. Work hard and you’ll generally reap the benefits. Be a kind person and it will definitely have a knock-on effect in both your life and in the lives of others. Take care of your health and you’ll live longer than if you treated your body like a garbage can. But there are definitely things in life that we can’t possibly see coming: accidents, illnesses, bad luck. And this is the part that’s tough for me as an A-type Capricorn to accept: that there are certain things in our lives that are completely beyond our control. And that we can be good people and do good things, and we can plan and save and do everything right and still have tragedy strike. But even when the unimaginable happens, we then still have agency in terms of how we move forward and how we handle that situation which is what the women in my story show: how to keep going when the worst has happened. In terms of believing in fate: it’s hard not to believe that some things are fated because they seem so improbable and yet they happen regardless. I want to believe in fate and that some things are meant to be. AIDS was an epidemic in South Africa at the time of the story and in it, the white people seemed to put blame and shame on the black women and children. What about the black men?  Did we just not see it in the story because the black men did not infiltrate the white people’s world in the same way that black women maids and housekeepers did?   Black families were torn apart during apartheid with most black men being forced to work in gold mines and black women having to work as maids in the city. Husbands and wives got separated from their children and lived miles and miles apart from one another, often only seeing one another once a year. This led to the disintegration of the black family and allowed the perfect conditions for the spreading the HIV virus. Also, many black men refused to wear condoms despite having multiple sexual partners which put women at greater risk. Since most of the black men worked in gold mines or as laborers, they weren’t a part of white people’s lives like black women were. These were the women caring for white people’s children, living in their homes and being a huge part of their daily existence. When they began to get sick, white people were forced to take notice of the epidemic and focused that attention on the people who were closest to them and therefore at most risk of passing the virus onto them. The saying “blood is thicker than water” means relationships built through choices will never be as strong as family bonds.  The bonds your characters have seem to support this theory; Delilah and Ruth slowly reconcile through the course of the book, Zodwa and Mandla felt connected the moment they met, Delilah and Daniel were drawn together virtually although they never met.  How do you feel about this? Family bonds are incredibly strong in the story in all the ways you mentioned but I also believe that friendships and the relationships we choose can be just as strong if not stronger. I believe that it’s hardship and struggle that truly puts a relationship to the test, and it’s in overcoming adversity that true bonds are forged whether they’re familial or of another nature. Something I find fascinating is that often the people who are meant to love us most are the ones who can hurt us the deepest which we see playing out with Ruth and Delilah. For me, the important thing is choice. Choosing to work on a relationship and to be there for someone through the difficulties, and choosing to have them in your life. All of your characters have lost so much.  They are all searching for something… Ruth wants to fulfill her lifelong dream to be a mother, Delilah wants to connect with Daniel, Leleti wanted to find her son, Zodwa wants to be a mother to Mandla… they also have secrets from suicide attempts, to a secret child to sexual orientation.  These women are so well developed with a past, present and hopes for the future; do you have a formula you use or a certain process to create them? I don’t have a formula, per se. I always start with characters. They come to me before the plot or the storyline comes to me. I see these characters as real people who are struggling with something, and that then forms the basis of the story. I write to get to know them better and by the end of the book, I always know so much more about my characters than what finds its way onto the page. In that way, they become real to me. If I’m not suffering and laughing and crying with them while I write, then I’m not connected to them and how can I expect my reader to be? What are you working on next? In a complete change of genre for me, I’m working on a psychological thriller. I thought I’d try my writing chops at murder, sex and mayhem. I’m having a lot of fun! LOL. If You Want to Make God Laugh will be available July 16, 2019.