
The Viper by Brad Meltzer
They say you can’t take it with you, a premise challenged by Brad Meltzer in his latest rousing and supremely effective thriller, The Viper, featuring the long-awaited return of the stalwart pairing of Jim Zigarowski and Nola Brown, better known as Zig and Nola.
Zig’s a mortician who puts soldiers killed in action back together. Nola works as an artist for the army. If that pairing seems odd at first, just wait. Because Andrew Fechmeier takes a secret he’s been keeping for decades literally to the grave. And the deadly, merciless killer responsible for putting him there will stop at nothing to find it. In true Hitchcockian fashion, that “MacGuffin” becomes the engine that drives the story in a rapid-fire race against time.
The darkness at the heart of The Viper is more than counterbalanced by Meltzer’s deft wit and the light of hope instilled by Zig and Nola. He is one of those rare authors whose book releases are seminal events, especially since he only releases a novel every two or three years. And The Viper was well worth the wait in all respects. As riveting as it is relentless, and an early contender for the best thriller of 2026.

Her Cold Justice by Robert Dugoni
Robert Dugoni’s series featuring Keera Duggan is the best this side of Michael Connelly’s Lincoln Lawyer when it comes to legal thrillers. And the reasons why are plainly on display in Her Cold Justice.
Keera is the “Her” of the title, and she’s finally taken the reins of the family law practice from her alcoholic and shambolic father. It turns out to be the very definition of be careful what you wish for, since a double homicide case pits her against ruthless and relentless prosecutor Anh Tran for whom winning is everything. Going up against an opponent who manufactures witnesses and uses the power of his office to bully opponents means Keera will have to reach deeper than she ever has before to find justice for her client, coming to grips with what soured her father in the process.
Dugoni has never been better. I wasn’t the only one to celebrate his return to the legal thriller genre, and Her Cold Justice gives us even more reason to cheer him. He is every bit the equal of John Grisham and Scott Turow at their best.

I Came Back for You by Kate White
No Thrill List would be complete without at least one terrific psychological thriller, and this column’s entry, I Came Back for You, is a seismic quake of a tale from Kate White.
That’s because the book’s events threaten Bree Winter with the deconstruction of a life already defined by the brutal murder of her daughter Melanie while a college student a decade before. The turmoil, emotional and otherwise, kicks in when Melanie’s purported killer makes a deathbed confession in prison that doesn’t include her among his victims. That means the real culprit is still out there, which brings the fresh start Bree has finally managed to a stunning halt. Instead of continuing to move forward, she finds herself back in the past, picking up where her daughter’s murder left off.
I Came Back for You is a haunting, harrowing exercise in psychological terror, a nightmare of a novel that takes us inside Bree’s tortured mind thanks to the brilliant first-person narration. She isn’t an unreliable narrator, just one who’d rather forget what she’s forced to revisit.

Wreck Your Heart by Lori Rader-Day
Lori Rader-Day has penned a starkly original mystery-thriller with Wreck Your Heart, in large part because of its country music backdrop, something I can’t remember ever seeing before.
Dahlia “Doll” Devine has lived the kind of life that makes for great country song content, only she’s never broken out in the music industry. That said, she hasn’t given up her dream of reaching Nashville and the Grand Ole Opry, even as she takes the stage regularly at a local backwoods tavern. Then, as if conjured from a classic country ballad, her estranged mother shows up after 20 years, swiftly followed by a young woman who appears to be Dahlia’s half-sister. Before the family gets united, though, murder rears its typically ugly head, turning Dahlia into the Dolly Parton of detectives.
Wreck Your Heart is a flat-out blast to read, reminiscent of Janet Evanovich at her best with a stronger and more unique storyline. Rader-Day has created a wonderful hero who stands apart in an immensely crowded field. All this book needs now is its own soundtrack.

Inside Man by John McMahon
In contrast to that title, John McMahon’s latest PAR team thriller, Inside Man, may seem humdrum by comparison. But it actually breaks plenty of new thriller ground in its own right, McMahon proving himself to be as good with a shovel as he is with a keyboard.
“PAR” stands for the FBI’s Patterns and Recognition team, led by stalwart agent Gardner Camden. And this second effort to feature both couldn’t be timelier. That’s because this time out, PAR finds itself up against a militia group gathering weapons for who knows what. The case appears to be coming to a head when a PAR informant planted inside the militia is found murdered. Sounds pretty cut and dried, doesn’t it? Except the militia group wasn’t responsible. So who was and why?
McMahon has the literary courage to take his tale in a whole different direction, even after it raced out of the box. That’s the stuff of a very confident storyteller who knows how to take us in his grasp and not let go. Inside Man is not to be missed.

Rifle Season by Mason Winters
The first Thrill List of the New Year wouldn’t be complete without a terrific debut, which describes Mason Winters’ Rifle Season to a T.
Mason Winters makes his living as a hunting guide hired by hunters looking to bag something big to bring home. That is, until one hunt goes horribly wrong and his big-money client gets killed. Overnight, he goes from being the guide everyone wants to hire to his phone not ringing at all. He climbs out of the bottle he’s fallen into when a second chance appears in a wildlife photo shoot in the kind of territory he used to guide hunters. I don’t have to give you a spoiler alert to say that very little from that point is what it seems, as the survival skills Winters thought had deserted him are all that can save his life.
Because of his masterful writing on the great outdoors, I’d love to compare Winters to C.J. Box’s terrific Joe Pickett series. But the fact is, the outdoors is really the only thing Joe shares with Mason. Rifle Season is a gut-punch of a thriller, stitched together with sharp, descriptive prose. Winters doesn’t just tell us how cold it is; he makes us feel it. Call him the Jack London of thriller writers, and call his debut flat-out fantastic.

All My Bones by P. J. Nelson
All My Bones is one of those mysteries that might have ended up on the cozy shelf if not for P. J. Nelson’s deft plotting and mastery of nuance.
Madeline Brimley is all-in on being a newly minted bookstore owner in Georgia. Straightening the stacks and the like do wonders for the interior, so she decides to do some gardening to beautify the exterior of the bookstore, housed in a stately old Victorian. The problem is, instead of planting flowers, she turns up the body of a gossipy older woman who’s been missing for months. When her best friend is arrested for the murder, Madeline turns sleuth to uncover the real murderer and the crime’s connection to a first edition of Grimm’s Fairy Tales, of all things. Strangely fitting since those tales were far grimmer than the versions we remember as kids.
Subtitled “An Old Juniper Bookshop Mystery,” this is actually the second entry in a series that began with Booked for Murder. Nelson strikes just the right tone, making sure there’s plenty of sun to drown out the shadows. His dialogue crackles with authenticity, and the first-person narration is pitch-perfect. All My Bones is a great mystery to curl up with on a cold winter night, so long as you don’t get too cozy.

I Wrote This for Attention by Lukas Gage
“At the end of sixth grade, I killed a kid.”
Great opening line to the next big mystery-thriller, right? Something layered in hardboiled neo-noir from the likes of Elmore Leonard or Jim Thompson. Except it’s really the opening line of I Wrote This for Attention from rising young star Lukas Gage’s autobiography.
Not many 30-year-olds have lived enough to spin out a memoir. But Gage, recognizable from any number of roles including the Road House remake and Season One of The White Lotus, lays out his life so far in a manner so rivetingly effective that the book reads like, well, a thriller. The mystery we’re left to solve being how he managed to make it in an impossible industry after enduring an even more impossible childhood. Immensely skilled as a writer as well, Lukas takes us on a twisted, twisting journey that makes it feel like his memoir belongs in the fiction aisle next to The Catcher in the Rye.
I Wrote This for Attention is frank, fun and fascinating. It’s almost like we’re not reading the book so much as Lukas is in the room telling his soul-baring story. As a ghostwriter, I wish he had reached out to work with me, except I don’t think I could have fashioned anything this good. A cautionary tale that’s an absolute blast to read.




