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Harlem Rhapsody by Victoria Christopher Murray
The Secret Book Society by Madeline Martin
With Love From Harlem by ReShonda Tate
Keeper of Lost Children by Sadeqa Johnson
Fire Sword & Sea by Vanessa Riley
The Lion Women of Tehran by Marjan Kamali
The Lost Story of Eva Fuentes by Chanel Cleeton
People of Means by Nancy Johnson
Unsinkable by Jenni L. Walsh
Where the False Gods Dwell by Denny S. Bryce

“Guess what month March is?”

“Nope, that’s not it.”

“Still missing the point.”

“Women’s History Month?”

“Wow! Finally!”

“Okay, cool. But what does it mean? When did it begin, and what’s it got to do with historical fiction and publishing?”

Well, here’s the deal. In the United States, Women’s History Month started as a grassroots effort to address a problem: women’s contributions were often missing from textbooks and public discourse.

What began in 1978 as a grassroots week in California became a federally recognized month in 1987 — a testament to how advocacy reshapes national memory.  The idea spread as educators and advocates supported it in schools and communities nationwide.

In 1980, President Jimmy Carter issued the first presidential proclamation recognizing National Women’s History Week. By 1987, after sustained advocacy by the National Women’s History Project, Congress officially declared March Women’s History Month.

In the late 1990s, I worked for a nonprofit that supported women business owners and advocated for equitable government contracting. Advocacy for women’s visibility—including support for the Women’s History Museum in D.C.—was part of my daily work.

A World Economic Forum analysis highlights that women’s share of published books grew from around 20% in the 1970s to over 50% by 2023, with women surpassing men in annual book publication by 2020. This shift reflects not only market trends but also decades of cultural advocacy advocating for women’s stories to be told—and sold.

Major publishers have created campaigns for Women’s History Month. Book influencers, online outlets, and retailers create “Best of” and Women’s History Month recommendation lists, while libraries and literary organizations curate educational resources such as NYPL’s March book list.

In short, Women’s History Month not only celebrates women’s achievements but can also influence content on social media platforms, magazine and newspaper book sections, etc.

And that’s where historical fiction enters the conversation. When textbooks left women out, fiction stepped in—filling gaps, restoring voices, imagining interior lives that history failed to record.

Now that we know how Women’s History Month came to be, let’s talk about how we can honor it—through reading

I’m excited to share some titles from my recommendation list for Women’s History Month 2026. Not all of these are new releases, and I’m not saying you have to read them all this month—just add them to your TBR and share your thoughts on the ones you’ve already read! This month should be celebrated with books, books, and more books!

Harlem Rhapsody by Victoria Christopher Murray

Harlem Rhapsody by Victoria Christopher Murray


The Secret Book Society by Madeline Martin

The Secret Book Society by Madeline Martin


With Love From Harlem by ReShonda Tate

With Love From Harlem by ReShonda Tate


Keeper of Lost Children by Sadeqa Johnson

Keeper of Lost Children by Sadeqa Johnson


Fire Sword & Sea by Vanessa Riley

Fire Sword & Sea by Vanessa Riley


The Lion Women of Tehran by Marjan Kamali

The Lion Women of Tehran by Marjan Kamali


The Lost Story of Eva Fuentes by Chanel Cleeton

The Lost Story of Eva Fuentes by Chanel Cleeton


People of Means by Nancy Johnson

People of Means by Nancy Johnson


Unsinkable by Jenni L. Walsh

Unsinkable by Jenni L. Walsh


Where the False Gods Dwell by Denny S. Bryce

Where the False Gods Dwell by Denny S. Bryce


And as always, read—diversely, enthusiastically and with a commitment to honoring women’s history.

Where the False Gods Dwell is available now wherever books are sold.

Denny S. Bryce

Denny S. Bryce is a bestselling, award-winning author of five novels, including THE TRIAL OF MRS. RHINELANDER and THE OTHER PRINCESS. She is also an NPR book critic, an adjunct professor at Drexel University, and a freelance writer who has contributed to Harper’s Bazaar and USA Today. A member of the Historical Novel Society, the Women’s Fiction Writers Association, and Tall Poppy Writers, she resides in Savannah, Georgia.