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“Absorbing and astonishing. Leigh Seippel knows the dynamics of streams, sentences, and the human soul. Ruin is a novel to be savored.”—Noah Broyles, author of The House of Dust
“Reading RUIN feels like driving alone on dirt roads, one turn after another taking you further from your comfort zone until at last there’s a beautiful clearing and suddenly it’s obvious why you made the trip.” —Callahan’s Books Review
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This vivid story opens with every couple’s nightmare—the disappearance of their comfortable known world. Ruin’s adventure explores the unpredictable progression of character and chance for Francy and Frank Campbell, newly destitute in their early thirties, along with their lovers and foes. And a murder investigator . . . .
Frank is another dreamer whose life is suddenly burned to the ground. More a disillusioned literature Ph.D. than an experienced financier, he had naively agreed to join his wife’s inheritance with his own personal guarantee of a college friend’s private equity partnership debt.
The business implosion and subsequent bankruptcy took all their assets. Francy, an orphaned European heiress, now finds herself homeless, still married to pleasant, witty Frank—who had failed to protect them from disaster.
The couple flees Manhattan to live at a desolate non-working Hudson Valley farm. Frank starts an artisanal brewery with a charismatic new eccentric friend. And, central to the heart of the story, he takes up fly fishing. A local doctor, perceiving Frank’s depression, prescribes that he gain some confidence through self-taught fishing.
Frank’s perceptions on the water are fresh and acute, sometimes colored by his memory of the words of famous writers, now painfully ironic in his life’s new context. The novel weaves together fly fishing and life experiences that ultimately turn shockingly deadly.
And throughout, there is Francy’s story. Now in exile, she re-approaches painting with new and darkly complex emotional energy. Painting in reclusive concentration, she cuts Frank off, tacitly becoming her own woman. Her work’s enigmatic intensity attracts a wealthy neighbor who offers Francy a show in his Manhattan gallery and that attracts a great deal of trouble indeed.
