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Melissa McCarthy’s “Spy” is a boon for women in comedy

in Fiction by

Shouldn’t the hardest part of comedy be having to keep a straight face? Not fighting to climb the sexist career ladder. There’s nothing funny about gender inequality. Despite many strides made for, y’know, basic human rights, women are still treated like second-class citizens. This gender gap (more like a gender Grand Canyon) has always been enormous in professional comedy to the point that people asked if women even have a sense of humor. Is it any wonder that the early pioneers—Phyllis Diller and Joan Rivers—weren’t allowed to attractive or confident? Luckily, along came intellectual comedians like Elaine May and Lilly Tomlin in the early 60s, followed by the badasses of Saturday Night Live, and finally today’s Tina Fey, Chelsea Handler,…

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