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An Ingenious Cookbook Uses Infographics Instead Of Words

Categories: Cookbook, Illustration Tags: , ,
By HulaMonkey on May 14, 2013

Reprinted excerpt from FAST COMPANY by Mark Wilson

 

How do you make lasagna? Even though it’s not that complex of a dish, to spell out the methodology–the specific ingredients and the many small, easy steps of prep work–it would take me half a page of type or more.

But for designer/illustrator Katie Shelly, writer of Picture Cook: See. Make. Eat., the recipe for lasagna looks a lot different. It’s a simple sketch that deconstructs lasagna into its discrete components. So with a glance, anyone can learn how to layer cheese, noodles, sauce and meat to make the dish.

Of course, illustration isn’t a new idea in cookbooks–drawings that show finder details of technique like dicing onions are mainstays in classic food tomes. Where Shelly’s illustrations become radical is their scope. Using a bare minimum of text, she depicts everything from a quickly blended Gazpacho to a 2-hour, 21-ingredient pho. The somewhat oddball idea came to Shelly when writing down a friend’s eggplant parmesan recipe over the phone.

“She started by saying ‘well first you get out three bowls …’ and so it was natural to just draw the three bowls in that moment, and then I stuck with drawing the rest of the recipe on this little scrap of paper,” Shelly tells Co.Design. “That night when I got down to cooking, I pulled out the drawing of the recipe and found that it was really useable, more useable than a text recipe where you have to stop what you’re doing and read and re-read the steps.”

 

To read more CLICK HERE

 

 

Why Write About Superheroes As Prose When they’re So Visual?

Bonnie vs Lola Painting

By Kelly Thompson

So why write about superheroes as prose when they’re so visual?

Those who were familiar with me before I published THE GIRL WHO WOULD BE KING (TGWWBK) are less curious since they know about my love of comics, and superheroes specifically. They also know I crave strong and complicated women in my fiction, I can’t get enough of Buffy The Vampire Slayer, and love nothing more than sassy chicks that kick a lot of ass (hence, Buffy!), but even those familiar with my affection for these things sometimes wonder why I chose to write about superheroes as prose, instead of comics.

And the answer is simply this…I didn’t.

When I began THE GIRL WHO WOULD BE KING (way back in 2004) I started writing it as a screenplay.  Now, that’s still not a comic, but films are obviously great places for excellent visual action and for good or ill, a lot of superhero movies have been made — certainly there was a lot more than I had seen of superhero prose in 2004.  But as I tried to write this screenplay (I had written one before, it was terrible) I kept finding myself wanting to go deeper into the characters heads. To explore them more fully than I though I could in either film or comics. Now, thinking I couldn’t do that in those other mediums may have just been my lack of experience, but the end result was that I decided to try my hand at writing my superheroes as prose…and thus my first novel was born.

I had a lot of doubts over the years (even more than I had version of the book – which is saying a lot) – but when all was said and done I was really happy with my decision to delve so deeply into my heroes as prose. And once the book was done I found myself fantasizing about someday adapting it not only into a film (circle of life and all that) but possibly into a comic book. It intrigued me to almost go backwards, starting with a comic book idea, but executed in prose, and then taking it back to its more natural roots. It’s something I would love to try someday.

The added benefit is that while I spend a ton of my life trying to talk about women in comics, and getting more women to read comics, and understand how wonderful they can be, I love even more the idea that a lot of women and girls might love TGWWBK as a novel and then come along to read an adaptation of it, and thus discover comics.

That’s dreaming big at this point I suppose, but it’s certainly a place I’d like to go…and to have others follow me. You know one of the things that made doing TGWWBK as a comic book some day feel like a reality? All the amazing artists that helped make the book what it is – cover and interior illustrations artist Stephanie Hans, as well as comics creators Ross Campbell and Meredith McClaren.

Their work is too inspiring not to get any writer’s mind fantasizing about what might be next…

Beatrix Potter’s Original Drawings Sell for $95,000

Art and book collectors alike can delight in the recent sale of a series of original, rare Beatrix Potter illustrations through Sotheby’s. Today in London a set of four watercolors of “This Pig Went To Market” sold for $95,000.

The illustrations were originally published in “Cecily Parsley’s Nursery Rhymes,” published in 1922. The first drawings shows a colonial looking pig riding a horse and cart to the market while another pig lounges on the fence with the intent of staying home. To accompany the text “This Pig had a bit of Meat; This Pig had none,” the second illustration shows a grandmotherly pig frying meat (we’re hoping it’s not pork), while another pig-companion peels potatoes. A third drawing brings the rhyme to a close, depicting an adorable weeping pig who can’t find its way home.

Reprinted from The Huffington Post, July 10, 2012.

 


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