Quantcast

FREE books, live author chats and more when you create a free BookTrib membership account.

Recover password

Stephen King Says No To E-Book

Reprinted excerpt WSJ.com by Jeffrey A. Trachtenberg 05/19/13

 

Don’t expect to see an e-book edition any time soon of Stephen King’s new novel, “Joyland,” which will be published next month.

Mr. King, an e-book pioneer, held on to the novel’s digital rights in hopes of spurring his fans to buy the print edition in bookstores. He said it is unclear when he will make the coming-of-age tale available digitally.

“I have no plans for a digital version,” Mr. King said. “Maybe at some point, but in the meantime, let people stir their sticks and go to an actual bookstore rather than a digital one.”

Mr. King’s decision to support traditional book retailing comes at a time when many bookstores are struggling to compete with online retailers that sharply discount physical books and services that sell low-cost e-books. “Joyland,” set in a North Carolina amusement park in 1973, will hit stores June 4.

It is unclear whether any other high-profile writers will follow Mr. King’s example. Paul Ingram, the buyer for the Prairie Lights bookstore in Iowa City, Iowa, said he’s hoping they will. He lamented that browsing for books in stores has given way to people purchasing from computers and mobile devices.

“I’d just as soon not have people buy their books while typing a thank-you note,” Mr. Ingram said. He said his store’s traffic has “fallen off some” in recent years due in part to “the ease of getting books other places.”

Mr. King’s latest move to make “Joyland” only available as a physical book is essentially the reverse of what he did in 2000, when he became one of the country’s first writers to make a new work available exclusively in a digital format. Then, CBS Corp.’s CBS +3.97% Simon & Schuster publishing arm issued Mr. King’s 16,000-word ghost story “Riding the Bullet” as an e-book priced at $2.50.

Mr. King’s effort was treated as a potential turning point for a small but growing digital-publishing industry. Digital books generated $3 billion in publisher revenue in 2012, up 44% over the prior year, according to a recent study by BookStats, which tracks data from nearly 1,500 publishers.

“Joyland” is being published by Hard Case Crime, an independent publisher of old and new crime fiction paperbacks that boast the lurid but entertaining cover art that characterized pulp novels in the 1940s and 1950s. “Joyland” features a terrorized woman in a dress with a Ferris wheel in the background.

Eight years ago, Hard Case issued Mr. King’s novel “The Colorado Kid,” which . . .

To read more CLICK HERE

 

 

America’s Quirky Capital Of Books

reprinted excerpt The Christian Science Monitor by Andrew Averill

Montpelier, Vt.

Anders Shemholm, age 11, is walking down Main Street in this Vermont town in shorts and an unzipped jacket even though a nor’easter has just left its callous calling card – 10 inches of snow.

No matter. He seems oblivious to his surroundings as he looks down at the object in his hand, which, surprisingly, isn’t a texting device.

It’s a book.

Anders is an avid reader – he goes through four books a month – and says there are only two things that keep him from reading more. “Well, yeah, I have to sleep and eat on occasion,” he says.

Anders may be unusual for a preteen but not for Montpelierites: People here like their books.

The nation’s smallest capital city is home to three appropriately quirky bookstores – not a huge number, unless you consider that the population is only 7,000. Montpelier residents covet bookstores the way San Franciscans do their sourdough bread and Denverites their mile-high air.

“I don’t know if there’s another town of this size that can support three bookstores. You can’t replicate it,” says Rob Kasow, who, along with his wife, Claire Benedict, owns Bear Pond Books and Rivendell Books. “There are towns of 200,000 that can’t support even one, but this place has three.”

These are not big commercial stores he’s talking about. Local residents have long resisted chain-stores in their downtown, which includes McDonald’s and other fast-food joints. These are independent bookstores, in every sense of the word.

To succeed in Montpelier, you have to know your audience. For The Book Garden, that means plenty of nonfiction books on how to raise chickens, forage for wild mushrooms, and shape metal like a postmodern blacksmith.

The cozy store, with rabbit-warren bookshelves, also has a sizable collection of graphic novels in the back, and hosts a weekly fantasy card game tournament.

“Indie sellers have to find a niche to sell to,” says Rick Powell, owner of The Book Garden. “I cater to these folks.”

To read more CLICK HERE

 

Dear Barnes & Noble, It Is Time For An Intervention.

Categories: Bookstores Tags: , ,
By HulaMonkey on February 3, 2013

Reprinted StarTribune by ALEXANDRA PETRI , Washington Post

 

Dear Barnes & Noble,

It is time for an intervention. You say you are closing a third of your bookstores over the next decade while admitting they are not unprofitable. Please, listen to yourself.

I say this on behalf of your friends: the publishing industry, book lovers everywhere and, well, pretty much everyone but Amazon.com. We lost Borders. We cannot bear to lose you, too.

You are the last hope of the brick-and-mortar bookstore. At first we were optimistic. We love these places, with the pictures of Great Authors fraternizing on the walls. We attend readings and drink coffee there. We go to brick-and-mortar bookstores to do just about everything other than buy an e-reader.

This is why your approach of late is so worrisome.

Every week I get an e-mail from you beseeching me to buy your Nook e-reader. You have reached the point where you are offering me $30 worth of gift certificates. And every time I walk into the store, a voice from the loudspeaker implores me to buy a Nook.

Look, I do not come to Barnes & Noble every weekend and purchase several volumes because I am laboring under the misapprehension that Nooks do not exist. I show up and buy because I like physical books.

I don’t understand why you are working so hard to discourage this. I understand, in theory, that it is far cheaper to sell books that require no shipping and restocking. But we do not want to buy that sort of book from you. Amazon has more of them, for less. Besides, if I wanted to buy a Nook, I would already have bought a Kindle.

We say this with love. We want nothing more than for you to succeed.

And you are not doing so right now. Your device sales are dropping. December sales were disappointing, even though the store was liberally papered with copies of “The Elf on the Shelf.”

The chief executive of your retail group, Mitchell Klipper, told the Wall Street Journal that you expect to close about 20 stores a year over the next 10 years, lowering the total number of stores from 689 (not including college stores) to 450. And he made a strange analogy to Bed Bath & Beyond, about how people do not go to housewares stores and curl up with their families and a good blender.

All in all, the signs are worrisome.

That is why we are staging this intervention. When you see someone you love doing something that hurts them and you, you feel bound to say something. Where books are concerned, absence does not make the heart grow fonder.

“Seldom seen and soon forgotten” seems the more likely model. Why would you assume that if there are fewer Barnes & Nobles, there will suddenly be more people dashing to BN.com?

And bookstores are – as even Klipper noted – not unprofitable. Is getting rid of them really a good way to save money?

Bookstores still serve a vital role. There, people encounter many titles for the first time, titles we may decide to buy later or may just take with us to the restroom and linger over in blatant defiance of the posted signs. We certainly would not know that Teen Paranormal Romance was such a unified genre if you did not display it so beautifully.

Bookstores’ ability to bring us into contact with hundreds of things we did not know we wanted is not to be underestimated. And they help even the online trade. Twenty-four percent of people who bought books from online retailers did so after seeing them in bookstores first, according to a 2011 survey. Yes, this is irksome if you are the book retailer, but it’s critical publicity for the book.

The market research and media forecast firm Simba Information keeps finding that a decrease in physical bookstores doesn’t drive e-book sales. It just makes people forget that books exist and are things you can spend money on. More contact with books and book retailers makes you more likely to buy books. Less does just the opposite.

“All right,” you may justly say, “but if you care so much about bookstores, why do you go into them only to buy coffee and sit for several hours, using the free WiFi without purchasing anything off the shelves?”

Look, we can change! Just stop closing the bookstores. You have something special! Don’t throw away your birthright in this frenzied dash after the thin pottage of the e-book market! You are all that stands between us and a world where the only place unused books are sold is at Urban Outfitters, as decorative ironic curios, along with vinyl records and toilet brushes shaped like owls.

Do not push us to that point.

Booksellers’ Catch-22

Categories: Book Industry, Bookstores Tags: , , , ,
By HulaMonkey on January 23, 2013

Reprinted The Chicago Tribune by By John Warner

If you’ve ever walked into a Barnes & Noble, you have no doubt noticed the new releases pyramid front and center.

If a book is in the news or written by a celebrity author, you will find it in this display. I always give it a quick circle and often recognize the titles because I saw it featured on the “Today” show or in Printers Row Journal or on “Fresh Air.”

You may be thinking that books are featured here because they have been judged the “best” of the current crop, but the reality is every book in that display is present because a publisher has paid for it to be there.

The same is true of the “new fiction” and “new nonfiction” tables, where stacks of books are displayed face up. When an author or book gets a stand-alone rack? It’s been paid for. The shelves at the ends of aisles, known as end caps? Paid for. See a little pile by the register? Paid for. Even with books in the regular shelves that are displayed face (instead of spine) out, it’s likely the publisher paid for the privilege of showing off the full book jacket.

And while the exact amounts are a bit of a trade secret, for the prime real estate, the Magnificent Mile of the bookstore, if you will, what are known as “co-op” fees can reach into the tens of thousands of dollars. The success (or failure) of a book is frequently linked to the amount of co-op money available for its promotion.

Every book within every bookstore is only leasing whatever space it has because the book industry engages in an even stranger practice: returns. In a process that dates back to the Depression, when publishers were trying to incentivize the stocking of new or unknown authors, bookstores are allowed to return any unsold book for a full refund. Books that sell consistently, classics like, say, “To Kill a Mockingbird,” or newer favorites like “The Help,” are perennially available, but for the vast majority of books, the hardcover version gets three to four months to gain sales traction before it’s shipped back for its refund. A paperback gets six to 12 months to prove its sales mettle before it, too, is returned.

These orphaned books are warehoused with millions of their compatriots, where they wait until they’re called back into duty by other stores. (Publishers are even required to pay taxes on this inventory.) Sometimes, the exact same copy can be shipped back and forth to the same store more than once, leaving the book unread, though well traveled.

Once a book is permanently gone from the stores, it’s either on its way to the purgatory of remainder-hood, which is the stack of year-or-so old hardbacks with big, $3.99 stickers on them, or the even worse — and almost inevitable — going “out-of-print” stickers. “Out-of-print” doesn’t just mean that they aren’t making any more copies, but that demand is sufficiently low and the cost of warehousing sufficiently high. Any remaining copies will be “pulped,” a process that involves exactly what it sounds like.

To read more including book recommendations  CLICK HERE

 

This piece first ran in Printers Row Journal, delivered to Printers Row members with the Sunday Chicago Tribune and by digital edition via email. Click here to learn about joining Printers Row.

 

Bookstores for Gazers

Categories: Bookstores Tags: , , , ,
By mckenziem on August 17, 2012

Reprinted from NYTimes.com, by , August 16, 2012

Especially in the summer, when the sidewalks of the New York art world turn into barren, windswept places, I spend a lot of time visiting what I like to think of as a parallel art world, one that seems almost clandestine.

In this world the galleries don’t have the word “gallery” in the name. Many are tough to find, located along anonymous hallways of nondescript buildings. They tend to be on the small side, and some keep irregular hours. But they can be as visually sumptuous as any traditional gallery. And they are democratic places, where the art can be (occasionally, carefully) handled and where someone with means as meager as mine can afford to build a little collection.

To describe them as bookstores — which they are, in the narrowest technical sense — would be a little like describing “On the Road” as a guide to traveling America by automobile. Yes, you can buy books in these stores, mostly books about art or artists, or books made by artists, or books and other things, mostly on paper, directly or obliquely related to the life of contemporary art.

But over the last few years the city has entered a kind of golden age of art-book establishments that transcend the bounds of the bookstore. Relative newcomers like Karma, a tiny publishing-office-meets-shop in the West Village, and 6 Decades, upstairs in a ramshackle-looking building on Canal Street, have joined veterans like Specific Object in Chelsea and, a few blocks away, Printed Matter, the artist-founded nonprofit that is now in its fourth decade.

Dashwood Books, which specializes in new and hard-to-find photography publications, opened in 2005 on Bond Street at the edge of the East Village. And just a few months ago a mysterious dealer named Fulton Ryder opened a truly unclassifiable, appointment-only shop on the Upper East Side. (A recent tour of the shop was granted on the condition that its location, in a dim 1970s-flavored apartment building, not be revealed; its owner’s true identity, however, has been an open secret for months — Fulton Ryder is a nom de plume of the artist and prominent book collector Richard Prince.)

What all these stores have in common is a firm belief in the book as art, at a time when the form of the book itself is dematerializing into the digital at a rapid clip. Of course, artists have made great art in book form for decades, centuries even, and New York has gloried in earlier art-bookstore golden ages, done in by real estate prices and shifting tastes.

But perhaps because the physical book is coming to seem more like an object than ever before, the current landscape of shops blurs the line between bookstore and gallery in rollicking, unpredictable fashion. And because the shops are not nearly as tethered to high-end economics as art galleries, the mélange of stuff that results, some for sale and some not, can be strange and wonderful, like highly personalized cross sections cut from the culture at large.

Not long ago I wandered into Karma when it was having a deadpan summer show, selling fluffy beach towels, shell pots and balls of twine (large and small) at the same time that it stocked copies of Ed Sanders’s “Poem From Jail” (1963; nicely priced at $30); a special-edition book by the artist Rob Pruitt, with covers made of solid marble ($500); Baudrillard’s “Agony of Power” (a 2010 edition); and “The Illustrated Elvis” (W. A. Harbinson, 1976).

Uptown, inside Mr. Prince’s space, it looks as if books have forcibly colonized a railroad-style apartment, setting up forward positions in the closets and even the silverware drawers next to the dishwasher.

It reminded me of the conceptual artist Dan Graham’s idea that magazines are like the pods in Don Siegel’s 1956 film “Invasion of the Body Snatchers,” planting ideas subliminally inside unsuspecting homes. The shop and others of its kind also feel a little like late comic twists on postmodernism’s death of the author. In Flann O’Brien’s classic novel “At Swim-Two-Birds,” the characters drug the novelist and take control of their own plots. In many of the places on my book circuit, the books and posters and magazines seem to have taken on an autonomous life as well, communing conspiratorially with one another across decades, subject matter and format.

This particular kind of art-book mind meld owes a lot to Mr. Prince, who has made collecting an integral part of his art career. “I want the earliest copy on record,” he once wrote of his compulsion. “I want the copy that is rarer than anyone had previously dreamed of. I want the copy that dreams.” The phenomenon is also indebted to dealers and collectors like John McWhinnie in New York and Steven Leiber in San Francisco (both of whom died this year).

David Platzker, the owner of Specific Object, cites as his inspirations both Barbara Moore, whose stores Bound & Unbound and before that Backworks in Greenwich Village, were pioneering (he bought Ms. Moore’s inventory), and Dagny Corcoran, whose influential Art Catalogues, in Los Angeles, “is now part of the Los Angeles County Museum of Art.

“Dagny was the first one who helped me see books as this sort of revered physical space,” said Mr. Platzker at his shop and gallery the other day. “To her, they are so much more than things people should stack on their coffee tables.”

Mr. Platzker was just taking down a small show of 1970s pieces by Jack Goldstein — framed, brightly colored 45 r.p.m. records with titles like “A German Shepard,” “A Swim Against the Tide” and “Two Wrestling Cats,” recordings of nothing more than the things described by the words. “We had the sounds playing continuously during the show, and it was quite nice,” he said. “At night you could hear dog and cat sounds echoing down the hallways here.”

I had come in with my eye on a signed copy of the book “Dan Graham’s New Jersey,” which I spotted on the shop’s Web site, but I took a look at the $175 price and a harder look at my annual budget and thought better of it. So I contented myself with admiring, inside a glass case, a pristine first edition of “The Catcher in the Rye,” whose dust jacket announced boldly that its author was … Richard Prince.

As you might be aware, Mr. Prince did not write that celebrated novel. But last year he created a little guerrilla reprint that deviously imagined it to be so. And in a parallel universe where the books are in charge, making the art, who knows? Maybe it is.

The 10 Best Fictional Bookstores in Pop Culture

Categories: Bookstores Tags: , , , , , , ,
By HulaMonkey on March 7, 2012

It’s no secret that we love bookstores here at Flavorpill, but being as pop culture-minded as we are, we’ve found that we like the fictional shops almost as much as those we can visit in real life. One of our favorite bookstores on TV, Portlandia‘s Women & Women First, will soon be taking a vacation, so to console ourselves, we’ve created a list of our ten favorite fictional bookstores from all over pop culture. Now, we’ve limited ourselves to bookstores that are truly fictional, not just appearing in fiction — so the Travel Book Shop from Notting Hill and the defunct-but-actual shop at 84 Charing Cross Road are sadly both eliminated. Click through to see our list of our favorite fictional bookstores from film, TV and literature, and let us know if we’ve missed your own favorite in the comments!

Embryo Concepts, from Funny Face

While searching for a “sinister” bookstore to give their photo shoot some intellectual weight, a fashion magazine editor and photographer find Embryo Concepts in Greenwich Village. We don’t know about sinister, but it’s definitely the most overtly intellectual bookshop we’ve ever encountered — even after it gets destroyed by a fashion shoot crew.  And Audrey Hepburn doesn’t hurt either.

Monsieur Labisse’s bookshop, from Hugo

With its books piled to the lofty ceilings and overflowing with old world charm, this might be the dreamiest bookstore we’ve ever laid eyes on — which is perhaps not surprising for the bookstore in a movie that just won an Academy Award for best art direction. The set was filled with over 40,000 volumes, and simply begs you to get lost inside, but best of all is probably Mr. Labisse himself, the wizened, kindly gatekeeper to the internal world. See more pictures here.

Brightman’s Attic, from The Brooklyn Follies

The secondhand bookstore in Paul Auster’s novel sounds right up our alley: “Thousands of items were crammed onto the shelves down there — everything from out-of-print dictionaries to forgotten bestsellers to leatherbound sets of Shakespeare — and Tom had always felt at home in that kind of paper mausoleum, flipping through piles of discarded books and breathing in the old dusty smells.” We know what you mean, Tom.

Argosy Book Shop, from Vertigo

Based on the real-life San Francisco book shop The Argonaut, the Argosy is everything one could want in a fictional bookstore — rich, dark wood, glass cases, tchotchkes, cluttered shelves, and a proprietor who knows the scoop on the McKittrick Hotel and what happened to Carlotta.
Women First from Portlandia

We think it’s only fair to celebrate Portland’s premier feminist bookstore, seeing how it just celebrated its 10th anniversary. Always one of our favorite parts of the show, Women & Women First is the place to go for “bottom-selling authors,” classes in queer studies, and really terrible impressions. Just don’t try to ask for any of the books on the top shelf.

Ray’s Occult Books, from Ghostbusters 2

After the Ghostbusters went bankrupt, Ray turned to bookselling, opening up a shop specializing in “bizarre, somewhat strange, and hard to find books.” And it’s a good thing too — where else would Peter Venkman be able to buy a book entitled Magical Paths to Fortune and Power?

Black Books, from Black Books

Black Books is filled with cozy nooks and crannies, not to mention leather-bound editions of Dickens novels, but that’s not really the reason we love it so much. The reason is Bernard Black, the antisocial curmudgeon, played to belligerent perfection by Dylan Moran, who owns the eponymous bookstore in this delightfully strange British sitcom. No matter how much he hates us, we’ll never hate him.

Flourish & Blotts, from the Harry Potter series

Here’s another shop just bursting at the seams with books — only, since they’re all magic books, some of them are probably actively trying to get away. That’s what you get when you order hundreds of copies of The Monster Book of Monsters. Since ee think regular bookstores are imbued with enough magic and possibility on their own; so we can only imagine the kind of sparks we might feel in an honest-to-goodness magical bookstore. Sigh.

Carolina’s Café con Libros, from Desperado

Sure, the books might be there mostly to hide the cash Carolina has been saving for her getaway, but that doesn’t make us love this dusty, sun-soaked Mexican shop any less. Plus, the lady that works there can sew up your gunshot wounds in a pinch, which is always helpful. And there’s coffee. What more could you ask for?

The Shop Around The Corner, from You’ve Got Mail

Cheesy as the movie is, we just couldn’t leave this one out. The adorable independent bookstore run by Meg Ryan as Kathleen Kelly captured millions of hearts, who cheered for it against the megastores of Fox Books (and also cheered for Kathleen to marry the wealthy proprietor of said megastore). Well, we can’t say we disagree.

Reprint: Flavorwire 03/04/12 by Emily Temple

http://flavorwire.com/265919/the-10-best-fictional-bookstores-in-pop-culture#10

Novelist Fights the Tide by Opening a Bookstore

Categories: Bookstores Tags: , ,
By on November 21, 2011

By Julie Bosman (The New York Times)

The novelist Ann Patchett, right, and Karen Hayes are business partners and co-owners of Parnassus Books in Nashville.

 
After a beloved local bookstore closed here last December and another store was lost to the Borders bankruptcy, this city once known as the Athens of the South, rich in cultural tradition and home to Vanderbilt University, became nearly barren of bookstores.

A collective panic set in among Nashville’s reading faithful. But they have found a savior in Ann Patchett, the best-selling novelist who grew up here. On Wednesday, Ms. Patchett, the acclaimed author of “Bel Canto” and “Truth and Beauty,” will open Parnassus Books, an independent bookstore that is the product of six months of breakneck planning and a healthy infusion of cash from its owner.

“I have no interest in retail; I have no interest in opening a bookstore,” Ms. Patchett said, serenely sipping tea during a recent interview at her spacious pink brick house here. “But I also have no interest in living in a city without a bookstore.”

Ms. Patchett is well aware that brick-and-mortar bookstores are closing regularly under pressure from online sales and e-books. The American Booksellers Association, a trade group, currently has about 1,900 independent bookstores as members, down from about 2,400 in 2002.

But she is aspiring to join a small band of bookstore owners who have found patches of old-fashioned success in recent years, competing where Amazon cannot: by being small and sleek, with personal service, intimate author events and a carefully chosen rotation of books.

In Fort Greene, Brooklyn, Greenlight Bookstore opened in 2009 and reported sales of more than $1 million in its first year. The Boswell Book Company in Milwaukee was founded two years ago and has been profitable both years, its owner said.

But there are plenty of headlines chronicling the woes of struggling independents. In Manhattan, St. Mark’s Bookshop in the East Village has been teetering for months, saved by a last-minute rent discount from the landlord. The owner of RiverRun Bookstore in Portsmouth, N.H., said this month that he needed to raise more than $100,000 to save it. More than 150 concerned people packed the store last week to discuss its fate. Ithaca, N.Y., residents helped keep the treasured Buffalo Street Books in business by raising more than $250,000 and reopening the store as a co-op.

Continue reading…

Novel Ideas For Indie Bookstores

Categories: Bookstores Tags: ,
By on August 11, 2011

by Jennifer Miller (Fast Company)

Dana Brigham at her Massachusetts bookstore, tending the garden of a dead-tree industry. | Photo by Guido Vitti


.
In April, Borders* said its restructuring plan included bigger cafes and more novelty products. In other words, fewer books. A shift is also happening with independent bookstores–400 of which opened in the past six years–but instead of sidelining books, they’re finding new ways to promote them. Here are some of their best strategies.

1 // Cluster Products

At Brookline Booksmith in Brookline, Massachusetts, “we try to have everybody buy a book and something else,” says co-owner Dana Brigham. So a third of the floor space gets ceded to products that complement nearby books: spatulas and wine stoppers next to cookbooks, say, or vases and floral stationery in the gardening section.
The Payoff: The store’s traffic is up about 7% within the past year, Brigham says.

2 // Act Locally

Square Books in Oxford, Mississippi, casts itself as a hub of ideas–not just books–by hosting Thacker Mountain Radio, a sort of A Prairie Home Companion, on local radio. (The live audience of about 170 crams between bookshelves.) And if anyone within a mile of city limits wants a book, employees bring it to them in person. “Amazon brags about how fast they can get books to you, but we can get ours out faster,” says owner Richard Howorth.
The Payoff: Impossible to quantify but customer loyalty has strengthened.

3 // Be A Printing Press

“We wanted to give Village Books a new face,” says co-owner Chuck Robinson. So in 2009 the Bellingham, Washington, store leased an Espresso Book Machine, which can print a 200-page, professional-looking book in 10 minutes. The store now produces out-of-print books for customers and lets self-published authors host readings and print their work on the spot.
The Payoff: The machine cost $75,000, and the store is on track to break even within two years.

Continue reading…

Books & Books Grows Amidst Challenging Market

Categories: Bookstores, News Tags: ,
By on June 7, 2011

by Elaine Walker (The Miami Herald)

Books & Books owner Mitchell Kaplan is determined to be one of the survivors.

You won’t find Kaplan wringing his hands over the impact of online book sales or the growth of digital books on the traditional bookselling industry. Instead, Kaplan has found ways to grow the Books & Books business amidst one of the industry’s most challenging times.

His energy has been focused on diversifying and branching out into related businesses including publishing and film production. At the same time, Kaplan has managed to fuel an expansion of Miami’s homegrown Books & Books brand through creative licensing deals and the creation of a new newsstand format.

“Instead of feeling victimized by what was happening in the marketplace, I decided to look at the value we’ve built up over the years and try to transfer it to other things,” Kaplan said. “You have to find ways to monetize the value. Otherwise, you can’t stay relevant.”

That’s not an easy task when the ranks of independent booksellers have spent more than a decade in dramatic decline fueled by changing industry dynamics.

Even the national chains are no longer immune. Though Borders filed for bankruptcy in February and closed more than 200 stores, it is still losing money and negotiating a deal with a private equity firm. Industry leader Barnes & Noble has been on the market since August. It wasn’t until Liberty Media Corp. last month offered to buy the bookstore chain at an 81 percent discount to sales that the stock started rising and ignited what is likely a bidding war.

This all comes at a time when traditional book sales are declining in the face of soaring sales of digital books delivered on Kindles, Nooks and tablets like the iPad. During the first quarter of 2011, e-book sales jumped nearly 160 percent to hit more than $233 million, according to the Association of American Publishers. That compares to a first-quarter sales decline of 23.4 percent at the nine mass market publishing houses. First quarter e-book sales were nearly double that of mass market paperback sales, which fell to $123.3 million.

These days independents like Books & Books must do a lot more than just stack books on a shelf to remain successful.

Kaplan has expanded his in-store cafes, doubled his special events and increased the number of ancillary items for sale like jewelry and decorative bowls. He’s also started selling e-books on his website, branched into convention book sales, added more kid’s book fairs and hired someone to build his corporate sales business.

“If I lose some sales, then I will make them up by selling other things,” Kaplan said. “We’re not where we were five years ago, when we didn’t have the kind of competition that we have now. It’s a real testament to Miami that we’re still around. There are lots of big cities that lost significant independent bookstores.”

The ranks of the independent bookstores have been steadily dropping by a couple hundred annually since the early 1990s. Membership in the American Booksellers Association fell by half during that period. In 2010, the association saw its first slight increase in nearly 15 years and membership now stands at 1,500. But even with that stabilization, independents only represent about 12 percent of the total retail market share, a far cry from the approximately 50 percent share they held back when Kaplan started in the early 80s.

And industry experts say the fallout is not over, as e-book sales continue to rise and could eventually represent half of all book sales. Most immediately, e-books are expected to make paperback book sales obsolete.

“This is biggest transformation in the book business since the summer of 1945 and the launch of Bantam Books, the first mass market paperback,” said Al Greco, professor of marketing at Fordham University and a consultant for Publisher’s Weekly. “The fact that unit sales of print books have declined – and will continue to decline – will lead to a reduction in the total number of bookstores in the United States over the next five years.’’

How many will survive is hard to say.

“It’s a game of musical chairs and it’s about who is going to get the last seat when the music stops,” Greco said. “The really well known independents with brand equity and a smart marketing strategy will survive, although it will be tough. The small mom-and-pops are another story.”

Kaplan estimates that his in-store book sales are down by close to 7 percent from the pre-recession peak, but overall sales have remained relatively flat. Creating multiple revenue streams helps balance out the bottom line. To make up for the decline in book sales, Kaplan has seen growth in newer categories like gift and corporate sales. About one-fourth of his sales now come from his in-store cafes run by chefs Bernie Matz and Allen Susser. The Books & Books Café by Matz at

the Lincoln Road location has become a destination restaurant in its own right.

This entrepreneurial spirit has earned Kaplan the respect of his peers. Books & Books is one of the industry’s most recognized names, along with Powell’s Books in Portland, City Lights Books in San Francisco and Politics & Prose in Washington D.C. The brand has come a long way since Kaplan, a law school dropout and former Southridge High School English teacher, opened the first Books & Books in 1982 in a 500-foot former jewelry store in Coral Gables with several family members, including his mother Helen Kaplan and uncle Julius Ser.

“He is certainly one of the most creative booksellers in the country,” said Oren Teicher, chief executive officer of the American Booksellers Association. “Books & Books has absolutely been a leader in terms of their willingness to reinvent themselves and find new ways of doing business in order to remain competitive in an ever-changing world. But there isn’t one formula that works. That’s part of the challenge. You can’t take what Mitchell has done in Miami and replicate it in Chicago.”

Kaplan has found a way to expand from his three Miami-Dade County stores — in Coral Gables, Miami Beach and Bal Harbour — to a total of seven locations under the Books & Books moniker. But the new locations in Grand Cayman; West Hampton Beach, N.Y.; the Museum of Art Fort Lauderdale and Miami International Airport are not owned by Kaplan.

In those cases, Kaplan created a licensing and marketing partnership with each local owner or institution. Kaplan lends the Books & Books name and store design, as well as the expertise on a wide-range of topics from inventory management to staff training. The Books & Books staff also bring in authors for book signing and speaking engagements.

The partnerships enabled Kaplan to leverage the infrastructure and brand recognition built up over nearly 30 years since he opened his first Coral Gables store in 1982. But what he doesn’t have is the financial responsibility or daily operational oversight for stores outside of South Florida.

“I really believe in locally owned bookstores,” Kaplan said. “This way we have local partners that own the stores and we could just bring our special sauce. I had no interest in owning stores outside of the local area. This model makes sense because at the heart of what we’re all about is a sense of community.”

Several partnerships started by chance, when people in the industry sought out Kaplan’s advice. Kaplan, co-founder and chairman of the Miami Book Fair International, remains a high-profile industry leader with connections to many of the country’s leading authors and publishers. Kaplan says he averages between two and three calls a week from communities — from Nashville, Tenn. to Bloomington, Ind., — that want bookstores.

But Kaplan isn’t planning to say yes to everyone. He chose his initial partners because they offered a market where the Books & Books name was already recognized – and an attractive partner.

Jack McKeown, owner of the West Hampton Beach store and a former book publisher, had known Kaplan for more than 30 years. When McKeown and his wife decided to open a bookstore, they decided a joint venture made the most sense. They have reduced overhead costs and simplified the inventory process by using the buying history at Books & Books in Coral Gables, which has similar market characteristics as the tony Long Island village.

“Being risk adverse types, we thought that the platform of a branded name would give us great credibility right out of the gate,” McKeown said. “It would create instant familiarity for a number of avid book buyers. We have been astonished at the number of times that people come in and say, ‘We love the Coral Gables store. We love Books & Books.’”

Continue reading…

Ursus Books and Prints – A New, Landmark Location

Categories: Bookstores Tags:
By on February 16, 2011

After twenty-three years in the Carlyle Hotel, and having persevered against warehouse-bookstore and e-reader odds, Ursus Books is moving to a landmark location: 699 Madison Avenue, 3rd Floor, between 62nd and 63rd Streets.

Steve Martin, Mary Louise Parker and cultural connoisseurs count Ursus among their favorite places to shop. Established in 1972, the comprehensive selection of fine antique decorative prints, art reference books and superb copies of rare books in all fields attract readers, writers and shoppers worldwide.

Located nine blocks from MOMA, Ursus’ new location at 699 Madison occupies the third floor of the landmark building, originally built to house Fortnum and Mason in New York.

Whether a thought provoking gift or a rare set of books to adorn a library, Ursus strives to inspire others to share their passion for books and prints. The knowledgeable and friendly staff is always available to help with ideas and answer questions. If first editions strike your fancy, Ursus has an inscribed and signed Martin Luther King Jr’s, Stride Toward Freedom; for theatre lovers, a desirable fifteenth printing of Edward Albee’s play, Who’s Afraid of Virginia Woolf?, signed by Edward Albee, Uta Hagen and cast. There’s something for everyone.

“Rare-book stores can be comprehensive without resembling an annex to Hogwarts—something Ursus Books keeps in mind. [It] is airy and light-filled to attract casual browsers, but it’s the collection that seduces hard-core bibliophiles. Ursus always has key original art books on hand, such as Matisse’s Poèmes de Charles d’Orléans, as well as treasures like a first-edition On the Origin of Species.” New York Magazine.

Ursus' Rare Book Room

Ursus Books and Prints – New Location!
699 Madison Avenue, 3rd Floor
www.ursusbooks.com
212-772-8787
ursus@ursusbooks.com


65 queries in 0.636 seconds