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A tiny wooden structure just for you, filled with books and toys, nestled in the branch of a big sapling with the wind rustling through the leaves. What could possibly improve a treehouse?
Just ask children’s fiction protagonists Jack and Annie. The stars of Mary Pope Osborne’s Magic Tree House series are the possessors of just that, a magic structure that they use to travel through time and space and embark on adventures. The series currently consists of more than 40 books, including the newest, “A Perfect Time for Pandas,” which was just released on July 24. The first 28 books follow Jack and Annie and their travels through time, while the rest center on the characters meeting up with famous wizard Merlin, who gives them tasks to accomplish as they go to each time period.
The series also consists of Fact Tracker books, nonfiction titles which delve into topics covered in the books such as dolphins and ancient Egypt.

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The “Tree House” books have been adapted into a stage musical, co-written by Osborne’s husband Will Osborne, and the book “A Good Night for Ghosts,” in which Jack and Annie meet jazz musician Louis Armstrong, will be the basis for a musical titled “Magic Tree House: A Night In New Orleans,” also co-written by Osborne, that will premiere at the James Moody Democracy of Jazz Festival in Newark in October.

Author Mary Pope Osborne, who recently donated 28-book sets of the series to every third-grade student and teacher in Newark, N.J., discussed how she settled on a treehouse as a mode of transport, how she hopes to inspire kids about history, and which of the books young readers love the most. Here are excerpts of the interview.

The most recent book in the ‘Magic Tree House’ series by Mary Pope Osborne (l.) is ‘A Perfect Time for Pandas,’ which finds protagonists Jack and Annie traveling to the mountains of China.
L: By Elena Seibert

Q: How did the idea of a magical treehouse come to you?

A: I’d tried many things to get kids back in time: a magic cellar, magic whistles, magic artist’s studio, magic museum. Nothing was working and I was really about to give up after a year. I was walking through some woods in Pennsylvania near a cabin that Will [Osborne] and I used to have, and we saw an old treehouse that was all rickety and pretty well run-down. We started talking about, “What if I put the characters in a treehouse?” Because then it would always be hidden up in the trees and they could travel anywhere with stuff in it. Finally, that night, we thought it’d be cool to have the treehouse filled with books, because books are magic. The moral of the story is the simplest ideas are the hardest to find.

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